Who cares how I see them? (And if that glut of stuff goes away, someone’s still going to make cool stuff, right? I mean, Steven Soderbergh’s playing around with Web3?)īut also, this fills me with despair. And, for now at least, I have access to more great movies than ever before, available with a click of a button. But the main thing I like about movies is movies. “ it’s a model that allows for more aggressive investment in romantic comedies and dramas and giving the consumer the choice I think is ultimately a good thing.”Īnd, I kind of agree with Kilar? Yes, I treasure my memories of going to movies with my family and friends, and taking my kids is still fun. How should you feel about that? You should feel pretty good, Jason Kilar, the ex-boss of WarnerMedia, told me during his exit tour earlier this month: “I think it’s a very positive development, for two reasons,” he said. But, eventually, there won’t be as much of that stuff as there is now. We’re looking at a future where 1) most movies that show in movie theaters will be made for an audience that goes to movie theaters - that means young people who like superheroes, young people who like being scared, and families with kids who need to get out of the house, and 2) everything else is meant to be watched at home. But once the frontier is settled, they plan on returning to something like a normal mode, where they’re not tossing money at anyone with a script. Right now, they are telling themselves they’re in land-grab mode as they try to compete with each other and attract paying subscribers. The giant tech and media companies funding the production boom have no intention of doing it in perpetuity. But what about the great streaming future, currently showing on our giant, cheap TVs at home? Beyond all the Oscar-nominated movies they offer, there’s more great stuff there than ever before - from traditional TV networks like AMC ( Better Call Saul returns next week) and streamers like Apple (I’m really interested in Severance) and hybrids like HBO Max (at first I wasn’t into Winning Time, but now I am).īut there’s a problem there, too: This glut of great streaming stuff is literally a glut, and no one in the business thinks that it’s going to last forever. That’s fine for Blum, whose Blumhouse Productions specializes in horror movies people still leave their houses to see, like Get Out and The Purge. “Outside of horror, superheroes, and family, it’s going to have to feel like the most spectacular, special event” to get people to see a movie in a theater, says producer Jason Blum. But the era where everyone went to the movies has ended. Which means movies in theaters are niche programming now. Channing Tatum can only be in so many movies per year. While some people who are invested in the movie business insist there’s a future where lots of people see all kinds of movies in theaters, most sober observers think that ship has sailed, with the odd exception. Still not convinced about the health and breadth of the movie industry? Here’s the truth: You shouldn’t be. And, of course, Apple’s Coda, an uplifting story about a Massachusetts fishing family, won the Oscar. Well, Hollywood has you covered here, too: Netflix’s The Power of the Dog - a moody kinda-Western - was a leading Best Picture contender in last month’s Academy Awards. Or heartwarming dramas I can see with my family that don’t star Channing Tatum. That would be Dog, which … also stars Channing Tatum.Īha! You say: But I like serious dramas. Well, here’s some encouraging news: Two of the highest-grossing movies of 2022 are romantic comedies: The Lost City, starring Sandra Bullock and Channing Tatum, and a family film about a guy and his dog. Are you one of the people who hates Hollywood because Hollywood only serves up superhero movies and sequels … most of which are sequels to superhero movies?
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